https://twitter.com/Rafikisland/status/ ... 5689299968
Blender Grease Pencil for the animation + one Colored Keyframe + EBSynth by "Rafiki" (Rafael Cano Méndez)
![Image](https://1.bp.blogspot.com/-ohrvjEcE9p8/YAxYx2THGNI/AAAAAAAAQs0/Qim8cG_ewboxEBKWiw8w2wVdK7mdmjOwQCPcBGAsYHg/s16000/Walter_Matthau_caricature.gif)
So what would be infringing on their patent holding rights?D.T. Nethery wrote: ↑23 Jan 2021, 19:38 A friend who I shared the link with was looking through the documentation about EBSynth on GitHub and noticed this:
EBSynth_License.jpg
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VGmaster9 wrote: ↑26 Jan 2021, 15:34So what would be infringing on their patent holding rights?D.T. Nethery wrote: ↑23 Jan 2021, 19:38 A friend who I shared the link with was looking through the documentation about EBSynth on GitHub and noticed this: .
It appears that this tool can be useful for making 3d animation blend in with 2d evironments.Fable: Ebsynth helped with applying painting filters we created on to 3d animation. Clip Studio is for anything art.
I noticed EBSynth was listed in the credits as one of the softwares they used. That's interesting to know how they used it.VGmaster9 wrote: ↑30 Mar 2023, 01:31 I watched the Lackadaisy animation today and found that Ebsynth was used for the production of this short. I asked what it was used for and this was their response.
It appears that this tool can be useful for making 3d animation blend in with 2d evironments.Fable: Ebsynth helped with applying painting filters we created on to 3d animation. Clip Studio is for anything art.
I also asked what they used Clip Studio Paint for, and they said it was for "anything art".D.T. Nethery wrote: ↑30 Mar 2023, 07:44 I noticed EBSynth was listed in the credits as one of the softwares they used. That's interesting to know how they used it.
Screen Shot 2023-03-30 at 3.35.33 AM.png
It seems that some of the animators used Clip Studio Paint to animate , although most used Toonboom Harmony. I was interested to see that at least one person on the team was using TVPaint, based on a screenshot of their production Discord server that appeared in a "making-of" documentary by one of the animators (Manu Mercurial) . The screen is blurred , but at the 10:22 - 10:42 mark you can see the TVPaint interface on screen.
TVPaint_in_Making_Of_Lackadaisy.png
When you asked about it , was that on a live stream or chat about the making-of Lackadaisy ? Is that available to view anywhere?VGmaster9 wrote: ↑30 Mar 2023, 15:07I also asked what they used Clip Studio Paint for, and they said it was for "anything art".D.T. Nethery wrote: ↑30 Mar 2023, 07:44 I noticed EBSynth was listed in the credits as one of the softwares they used. That's interesting to know how they used it.
Screen Shot 2023-03-30 at 3.35.33 AM.png
It seems that some of the animators used Clip Studio Paint to animate , although most used Toonboom Harmony. I was interested to see that at least one person on the team was using TVPaint, based on a screenshot of their production Discord server that appeared in a "making-of" documentary by one of the animators (Manu Mercurial) . The screen is blurred , but at the 10:22 - 10:42 mark you can see the TVPaint interface on screen.
TVPaint_in_Making_Of_Lackadaisy.png
In the Youtube comments, under the same name of mine as here.D.T. Nethery wrote: ↑30 Mar 2023, 15:53 When you asked about it , was that on a live stream or chat about the making-of Lackadaisy ? Is that available to view anywhere?
Yeah exactly. Since Harmony is the industry standard, it would be entirely necessary to it as the main production tool for vectorization, inking, and coloring for the whole animation process. On top of Harmony, TVP, and CSP, there's another new animation software called Animation Paper, which is a successor of Plastic Animation Paper. There could be a new amount of animators who can also use that and have their linearts imported over to Harmony in different projects.D.T. Nethery wrote: ↑30 Mar 2023, 07:44 Yes, even if everything ends up being colored in one program (such as Harmony) and final compositing in After Effects, for the line art stage -- rough animation and clean-up animation -- the software can really be whatever the animator prefers as long as they deliver the line art drawn on-model and in the line style established for the production in an image format that can be imported into any program (transparent PNGs or TGAs) . The recent Brazilian feature "Perlimps" was animated in Photoshop, Harmony, and TVPaint. I know at least two animators on "Klaus" who worked in TVPaint , even though the main program used was Harmony. I worked on a production a couple of years ago where almost everyone worked in TVPaint, but a few people used Harmony. We just imported their drawings in to TVPaint as transparent PNG image sequences. It was seamless. Then after applying the coloring in TVPaint it all ended up in After Effects for final composite. With rigged puppet animation productions everyone must use the same rigs , the same software , so that is not an option, but with hand drawn animation if the animator can stay on-style/on-model with their drawings it allows for a wider range of software choices depending on the animator's preference.
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VGmaster9 wrote: ↑30 Mar 2023, 17:29In the Youtube comments, under the same name of mine as here.D.T. Nethery wrote: ↑30 Mar 2023, 15:53 When you asked about it , was that on a live stream or chat about the making-of Lackadaisy ? Is that available to view anywhere?
Yeah exactly. Since Harmony is the industry standard, it would be entirely necessary to it as the main production tool for vectorization, inking, and coloring for the whole animation process. On top of Harmony, TVP, and CSP, there's another new animation software called Animation Paper, which is a successor of Plastic Animation Paper. There could be a new amount of animators who can also use that and have their linearts imported over to Harmony in different projects.D.T. Nethery wrote: ↑30 Mar 2023, 07:44 Yes, even if everything ends up being colored in one program (such as Harmony) and final compositing in After Effects, for the line art stage -- rough animation and clean-up animation -- the software can really be whatever the animator prefers as long as they deliver the line art drawn on-model and in the line style established for the production in an image format that can be imported into any program (transparent PNGs or TGAs) . The recent Brazilian feature "Perlimps" was animated in Photoshop, Harmony, and TVPaint. I know at least two animators on "Klaus" who worked in TVPaint , even though the main program used was Harmony. I worked on a production a couple of years ago where almost everyone worked in TVPaint, but a few people used Harmony. We just imported their drawings in to TVPaint as transparent PNG image sequences. It was seamless. Then after applying the coloring in TVPaint it all ended up in After Effects for final composite. With rigged puppet animation productions everyone must use the same rigs , the same software , so that is not an option, but with hand drawn animation if the animator can stay on-style/on-model with their drawings it allows for a wider range of software choices depending on the animator's preference.
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You quoted an ad campaign verbatim.