Peter Wassink wrote: ↑26 Mar 2022, 15:08
i can't tell...
but on his instagram he explains about his workflow for (some of) his animation,
No mention of TVPaint:
https://www.instagram.com/p/CFkFR2JBKaY ... _copy_link
Aldous Massie
Process sketches for an upcoming project with @alyshabrilla
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The sketches are very roughly done on paper, then redrawn digitally in Photoshop with a Wacom Cintiq Pro (graphics tablet). The digital sketches are colour-coded to separate things including shadows/highlights and layered animation elements.
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The inking is done in Clip Studio Paint, then brought back into Photoshop for colouring. The backgrounds are painted digitally in Photoshop too.
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I try and create as many frames as possible in Photoshop (cell-based animation) before importing the file into Adobe AfterEffects to time the different elements.
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The AfterEffects exports are then brought into Adobe Premiere. This is where I add things like cuts, zooms and sound. The edit is finished when it *feels* right, and the final export is what I post here on Instagram.
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Well, to each his own in terms of his preferred work flow , he may have his reasons for that work flow ... BUT ... to me that sounds like
a lot of extra steps using three different software programs which could ALL be accomplished in TVPaint. (maybe use After Effects for advanced compositing and camera moves if necessary. )
A streamlined workflow based on his workflow described above would be like this using TVPaint:
- Rough animation on paper .
- Scan rough drawings and load scans in TVPaint
- Tie down rough drawings with additional digital drawing in TVPaint.
- Ink (clean up) drawings in TVPaint.
- Color drawings in TVPaint.
- Add FX and Camera Moves in TVPaint (optionally in After Effects if it requires complex camera movement that TVPaint can not easily accomplish)
All in one software program, TVPaint . (maybe two if AE is used).
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